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A Classic Ghost Story to Tell in the Dark: The Haunting (Kentucky Shakespeare)

stagedoorlouisville
24 minutes ago
2 min read
Photo Credit: Bill Brymer
Photo Credit: Bill Brymer

The Haunting Based on the works by Charles Dickens Written by Hugh Janes

Directed by Matt Wallace

Entire contents are copyright © 2026 Lan Nguyen-Colgate. All rights reserved.

Review by Lan Nguyen-Colgate


Being in a library overnight surrounded by books seems like a dream. In Kentucky

Shakespeare’s The Haunting, all the cozy vibes are stripped away, and a supernatural

menace turns the experience into a nightmare. The Haunting written by Hugh Janes,

makes its U.S. debut under the direction of Matt Wallace.


The play adapts five different ghost stories by Charles Dickens, combining them into a

singular storyline. Bookseller, David Filde, arrives at the old, crumbling mansion

belonging to the deceased father of Lord Gray. Filde is responsible for cataloguing the

numerous rare books in the library and providing an estimate of their value. Lord Gray is

eager to sell the house along with its contents as fast as possible. Overnight, Filde

experiences a haunting and becomes determined to find the cause. Together with Lord

Gray, he discovers a dark family secret tied to the house.


The show features two principal actors: Zachary Burrell as David Filde and John

Photo Credit: Bill Brymer
Photo Credit: Bill Brymer

Huffman as Lord Gray. In the beginning, their interactions are very stiff and clipped as normal for a pair of strangers newly met and uncomfortable with one another. After the first terrifying night alone in the library, Burrell’s character unravels quickly. Huffman

serves as a buffer, standing for reason. The actors build well off each other’s

performances, pitting feeling against logic.


The expert skill of the production team stands out in this show. The Victorian library

designed by Karl Anderson is beautiful; complete with dark wood shelves holding

antique books which later fall and fly off on their own. A large half-moon window is the

focal point within the room. Outside stands a tall tree with pale twisted branches and a

few tiny leaves just barely clinging on. Jesse Alford’s lighting design deserves high

praise. A mix of amber, blue, and green lights the tree making it a silent, creepy

character. The audience’s eyes are constantly drawn to it, wondering what secrets it

holds. The room switches from electric light to candlelight. Lightning strikes; shadows

quickly appear and move—making the characters and audience question who and how

many people are in the room. Laura Ellis’s sound design is the final element of the

show’s scenic trifecta. It completes the eerie mood with phantom footsteps, scratching

sounds, and ghostly voices.


Based on the writings of Charles Dickens, the show unsurprisingly features a large

amount of exposition, taking up nearly the entire first act. The “scares” gradually take

place, affecting the senses and building tension. And by the close of act one, audience

members will be jumping out their seats. The play’s ending will leave people feeling

deeply unsettled, if not scared. The Haunting is a classic ghost story and just what is

needed for the Halloween season.


The Haunting Kentucky Shakespeare

September 30-November 1, 2026

Kentucky Shakespeare Headquarters

616 Myrtle Street

Louisville KY 40208

 
 
 

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